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Goldin+Senneby, Resin Pond, 2025. Installation view, Gwangju Biennale, 2026. Photo: Ben Davis. Image source: Artnet News.

From Finance to the Body: Twenty Years of Goldin+Senneby

RESEARCH · Goldin+Senneby · Gwangju · September 6 · 2026

DUAN JIANYU, Yúqiáo (The Fisherman and The Woodcutter) No.1, 2023, oil, acrylic, spray paint, and pencil on canvas, 140 x 200 cm. Courtesy the artist and Vitamin Creative Space.

The Zither Player Is Holding a Knife

RESEARCH · Duan Jianyu · Beijing · August 23 · 2026

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Still Life, Never Still

RESEARCH · Jasper Marsalis · London · August 20 · 2026

一笔而过 III

Labor in the Fold

RESEARCH · Renee Yu Jin · Shenzhen · August 8 · 2026

Elmgreen & Dragset, K-BAR, 2024, mixed media, 395 × 610 × 760 cm, Khao Yai Art Forest. Courtesy of Khao Yai Art. Photography by Krittawat Atthsis and Puttisin Choojesroom

From Display to Appointment: The Limits of Access

RESEARCH · Elmgreen & Dragset · Khao Yai · July 20· 2026

Installation view "Pierre Huyghe", Fondation Beyeler, Riehen/Basel, 2026 © Pierre Huyghe, represented by ProLitteris (CH) / ADAGP (FR)

Pierre Huyghe’s Animals, Machines, and Architecture

RESEARCH · Pierre Huyghe · Riehen · June 24 · 2026

Installation view of Machine Dreams: Rainforest, DATALAND, Los Angeles. © 2026 DATALAND / Refik Anadol Studio. Photo: Refik Anadol Studio

DATALAND: When Architecture Learned to Dream

RESEARCH · Refik Anadol Studio· Los Angeles · June 20 · 2026